(Folk Rock) [LP] [1/5.6] Bruce Springsteen ‎– Nebraska - 1982, DSD 128 (tracks)

Bruce Springsteen ‎– Nebraska
Жанр: Folk Rock
Носитель: LP
Год выпуска: 1982
Лейбл: Columbia ‎– QC 38358
Страна-производитель: US
Аудио кодек: DSD 128
Тип рипа: tracks
Формат записи: 1/5.6
Формат раздачи: 1/5.6
Продолжительность: 40:50
Треклист:
A1 Nebraska 4:27
A2 Atlantic City 3:54
A3 Mansion On The Hill 4:03
A4 Johnny 99 3:38
A5 Highway Patrolman 5:39
A6 State Trooper 3:15
B1 Used Cars 3:06
B2 Open All Night 2:53
B3 My Father's House 5:03
B4 Reason To Believe 4:11
Источник оцифровки: автором раздачи
Код класса состояния винила: NM
Устройство воспроизведения: Pro-Ject DEBUT CARBON RecordMaster HiRes
Головка звукоснимателя: Ortofon 2M Bronze
Предварительный усилитель: built in
АЦП: Asahi Kasei Microdevices AK5552VN
Программа-оцифровщик: VinylStudio 10.0.2
Обработка: noneДоп. информация: Nebraska is the sixth studio album by Bruce Springsteen, released on September 30, 1982, by Columbia Records.
Sparsely recorded on a 4-track cassette tape Portastudio 144, the songs on Nebraska were originally intended as demos of songs to be recorded with the E Street Band.[4] However, Springsteen ultimately decided to release the demos himself. Nebraska remains one of the most highly regarded albums in his catalog.[5]
The songs on Nebraska deal with ordinary, down-on-their-luck blue-collar characters who face a challenge or a turning point in their lives. The songs also treat the subject of outsiders, criminals and mass murderers with little hope for the future — or no future at all - as in the title track, where the main character is sentenced to death in the electric chair. Unlike previous albums, which often exude energy, youth, optimism and joy, the vocal tones of Nebraska are solemn and thoughtful, with fleeting moments of grace and redemption woven through the lyrics. The album's reverb-laden vocals and mood combined with dark lyrical content have been described by music critic William Ruhlmann as "one of the most challenging albums ever released by a major star on a major record label."[6] Because of the album's somber content, Springsteen chose not to tour in support of the album, making it Springsteen's only major release that was not supported by a tour.[7]