(ACT Music, Contemporary Jazz, French Jazz) Emile Parisien - Double Screening - 2019, MP3, VBR 192-320 kbps

Émile Parisien — Double Screening
Julien Touéry, Ivan Gélugne, Julien Loutelier
Жанр: Contemporary Jazz, Saxophone Jazz, French Jazz
Страна исполнителя (группы): France
Год издания: 2019
Издатель (лейбл): ACT Music
Номер по каталогу: ACT 9879-2
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: VBR, 192-320 kbps
Продолжительность: 51:31
Наличие сканов в содержимом раздачи:
Треклист:
01. Double Screening I - 03:16
02. Double Screening II - 04:11
03. Spam 1 - 02:05
04. Hashtag I - 02:17
05. Hashtag II - 03:59
06. Hashtag III - 04:09
07. Hashtag IV - 02:50
08. Spam 3 - 01:58
09. Deux point zero - 04:20
10. Elegie pour carte mere - 03:48
11. Malware Invasion - 07:50
12. Algo - 03:46
13. Spam 2 - 01:12
14. Daddy Long Legs - 05:43
Personnel:
Émile Parisien - soprano & tenor sax
Julien Touéry - piano
Ivan Gélugne - bass
Julien Loutelier - drums
Recorded at Studio Gil Evans de La Maison de la Culture, Amiens (France), December 2017Доп. информация: Album after album, Emile Parisien refines his self-portrait. He adds some shades. Erases others. And whatever the formation, context or repertoire, the saxophonist maintains his song, his voice and his own immediately identifiable style... Throughout his wide repertoire, the pieces that he has conceived with his quartet (for more than a decade) have always occupied a special place. With pianist Julien Touéry, double bassist Ivan Gélugne and, as a new recruit, drummer Julien Loutelier, Parisien leads this improvisation that touches on the sublime and is ever surprising. With his virtuosity he could have simply stuck to what is conventional. But that word doesn’t resonate with him. Every second of Double Screening explores new territories. He is one of the few saxophonists of his generation to alternate between lyricism and libertarianism in the snap of the finger. Going from laughter to tears is not a paradox in the universe of Emile Parisien's quartet. It is simply its raison d'être. And, in the end, a way to offer a type of jazz that is more organic than cerebral.
~ Marc Zisman, Qobuz