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(blues) Oscar 'Buddy' Woods & Black Ace - Texas Slide Guitars 1930-1938 [Document Records] - 1992, FLAC (tracks), lossless

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Oscar 'Buddy' Woods & Black Ace - Texas Slide Guitars 1930-1938 [Document Records]
Жанр: blues
Страна-производитель диска: Austria
Год издания диска: 1992
Издатель (лейбл): Document Records
Номер по каталогу: DOCD-5143
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 69:42
Источник (релизер): manhatan
Наличие сканов в содержимом раздачи: да
Треклист:

Код:

[b]Oscar 'Buddy' Woods[/b]
She's A Hum Dum Dinger (From Dingersville)
Fence Breakin' Blues
Home Wreckin' Blues
Bear Vat Mama From Horner's Corners
Saturday Night Stroll
Sewing Machine Blues
Red Nightgown Blues
Davis's Salty Dog
Evil Hearted Woman Blues
Lone Wolf Blues
Don't Sell It - Don't Give It Away
Muscat Hill Blues
Don't Sell It (Don't Give It Away)
Baton Rouge Rag
Jam Session Blues
Low Life Blues
Token Blues
Come On Over To My House Baby
[b]Black Ace[/b]
Trifling Woman
Black Ace
You Gonna Need My Help Some Day
Whiskey And Women
Christmas Time Blues
Lowing Heifer

Код:

NO LOG

Код:

NO CUE

Код:

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DON'T MODIFY THIS FILE
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PERFORMER: auCDtect Task Manager, ver. 1.5.1RC3 build 1.5.1.4
Copyright (c) 2008-2010 y-soft. All rights reserved
[url=http://y-soft.org]http://y-soft.org[/url]
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
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FILE: 24. Lowing Heifer.flac
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FILE: 23. Christmas Time Blues.flac
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FILE: 20. Black Ace.flac
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FILE: 19. Trifling Woman.flac
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FILE: 18. Come On Over To My House Baby.flac
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FILE: 17. Token Blues.flac
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FILE: 16. Low Life Blues.flac
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FILE: 15. Jam Session Blues.flac
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FILE: 14. Baton Rouge Rag.flac
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FILE: 13. Don't Sell It (Don't Give It Away).flac
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FILE: 12. Muscat Hill Blues.flac
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FILE: 11. Don't Sell It - Don't Give It Away.flac
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FILE: 10. Lone Wolf Blues.flac
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FILE: 09. Evil Hearted Woman Blues.flac
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FILE: 08. Davis's Salty Dog.flac
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FILE: 07. Red Nightgown Blues.flac
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FILE: 06. Sewing Machine Blues.flac
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FILE: 05. Saturday Night Stroll.flac
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FILE: 04. Bear Vat Mama From Horner's Corners.flac
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FILE: 03. Home Wreckin' Blues.flac
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FILE: 02. Fence Breakin' Blues.flac
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FILE: 01. She's A Hum Dum Dinger (From Dingersville).flac
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by Uncle Dave Lewis
Oscar "Buddy" Woods was a Louisiana street musician known as "The Lone Wolf" and a pioneer in the style of lap steel, bottleneck blues slide guitar; some experts believe he may have been the primary force behind the creation of this whole genre. Woods was born in the area around Natchitoches, LA, and his unknown birth date is variously listed as having been anywhere from 1892 to 1900. About 1925 he is known to have re-settled in Shreveport, LA, working as a musician and "street-rustler." It is said that Woods developed his bottleneck slide approach to playing blues guitar after seeing a touring Hawaiian troupe of musical entertainers in the early '20s.
Not long after arriving in Shreveport, Woods began a long association with guitarist Ed Schaffer, and together they performed as the Shreveport Home Wreckers, often appearing at The Blue Goose Grocery and Market, a notorious Shreveport establishment said to be an after-hours speakeasy. Woods and Schaffer made their first two recordings as the Shreveport Home Wreckers for Victor in Memphis on May 31, 1930. For someone whose handle was "The Lone Wolf," Woods was extraordinarily lucky in terms of the number of recording dates he was able to secure in connection with other artists. From this first session up until his last, a field recording for the Library of Congress made on October 8, 1940, Woods was involved in the making of no less than 35 sides.
On May 27 and 28, 1931, Ed Schaffer was in Charlotte, NC, recording six sides headed by white country artist (and future Governor of Louisiana) Jimmie Davis along with New Orleans-based jazz guitarist Ed "Snoozer" Quinn. Nearly a year later in Dallas, TX (on February 8, 1932) Davis made four sides with the Shreveport Home Wreckers as accompanists, and then the Home Wreckers made another pair of sides on their own, issued this time on Victor as by "Eddie and Oscar." These sides are of key sociological importance as they are the first known Southern-made records of country blues made by a "mixed race" group. Needless to say, Victor did not go out of their way to publicize this aspect upon the initial release of these sides, which occurred during the worst year in the history of the record market. However, some old timers recalled that the association between Jimmie Davis and the Shreveport Home Wreckers didn't just end at the recording studio door -- amazingly, they also toured together.
Oscar "Buddy" Woods did not record again until made a trip to New Orleans to make some solo records for Decca on March 21, 1936. One of these recordings was of Woods' signature tune, "Lone Wolf Blues," and another his first recording of "Don't Sell It, Don't Give It Away." These did so well in the race record market that Jimmie Davis took a renewed interest in the Shreveport Home Wreckers. By the time Woods returned to record making in a session set up by Davis in San Antonio on October 30-31, 1937, the lowly two-man Home Wreckers had expanded into a six- or seven-piece string band called the Wampus Cats. The Wampus Cats also included a female vocalist by the name of Kitty Gray, guitarist Joe Harris, and mandolinist Kid West. The Wampus Cats made an additional session in Dallas on December 4, 1938, on which Kitty Gray does not appear, but unknown trumpet and saxophone players are therein added to the mix.
After Oscar "Buddy" Woods cut his last five selections for the Library of Congress in 1940, he disappeared from public notice until his death in 1956. On the same date as Woods, Wampus Cats alumni Joe Harris and Kid West also recorded 11 pieces for the Library of Congress as a duo. As in the case of Woods, they were never heard from again. Ed Schaffer is even more obscure than his compatriots, and may have died even before the San Antonio sessions with the Wampus Cats, as he is not known to have been present on that occasion. According to entries in Shreveport city directories, Woods stayed in the Shreveport area in his final years, playing dances and working as a street musician.
The impact of Oscar "Buddy" Woods on the development of bottleneck slide playing was crucial; one musician he took under his wing around 1930 was Texas native Babe Kyro Lemon Turner, who later assumed the name Black Ace. During his lifetime, Woods was best-known for "Lone Wolf Blues," but today the most often anthologized cut in which he was involved is the Wampus Cats' version of "Don't Sell It,-Don't Give It Away." Also, bluesman Robert Johnson paid the Shreveport Home Wreckers an offhand tribute by lifting one verse practically verbatim out of their 1932 "Flying Crow Blues" and using it as the concluding verse in his own "Love in Vain."

Black Ace was the most frequently used stage name of the American blues musician Babe Kyro Lemon Turner (December 21, 1907 – November 7, 1972), who was also known as B.K. Turner, Black Ace Turner or Babe Turner.
Born in Hughes Springs, Texas, he was raised on the family farm, and taught himself to play guitar, performing in east Texas from the late 1920s on. During the early 1930s he began playing with Smokey Hogg and Oscar "Buddy" Woods, a Hawaiian-style guitarist who played with the instrument flat on his lap. Turner then bought a National steel guitar, and began playing what one later critic called "Hawaii meets the Delta," smooth and simple blues.
In 1937 Turner recorded six songs (possibly with Hogg as second guitarist) for Chicago's Decca Records in Dallas, including the blues song "Black Ace". In the same year, he started a radio show in Fort Worth, using the cut as a theme song, and soon assumed the name.
In 1941 he appeared in The Blood of Jesus, an African-American movie produced by Spencer Williams Jr. In 1943 he was drafted into the United States Army, and gave up playing music for some years. However, in 1960, Arhoolie Records owner Chris Strachwitz persuaded him to record an album for his record label. His last public performance was in the a 1962 film documentary, The Blues, and he died of cancer in Hammarkullen, in 1972.

Как обычно, сначала о технике: материал в m4a lossless, конвертировал во flac, проверил auCDtect (все треки - CDDA) и добавил playlist.
Поехали дальше... Две прекрасных слайд-гитары (обращу ваше внимание на четвертый трек !!!), два довольно известных имени.
Не удержусь... На трекере есть этот диск в mp3, но там нет информации о музыкантах, а кроме того, уважаемый Документ почему-то обозван американским лейблом... Процитирую выступление автора того релиза (торрент первоначально был выложен в кантри): "для любителей старины. Не решился я его выставить в блюзы, так как записи настолько старые и блюз 30-х в его (чьего? их там двое! ) исполнении ближе к кантри музыке. Увы американцы так и не смогли нормально восстановить записи, так что не обессудьте за качество....шипение и треск пластинки гарантированы, хотя в наушниках мне его слушать понравилось"
Пардон, но мне показалось, что человек, выложивший эту музыку, вообще не в теме С вашего разрешения перефразирую известную фразу - nothing personal - just music...
В раздаче присутствует альтернативный вариант фронтальной обложки...
Как уже повелось - Merci beaucoup, manhatan!
Всем приятного прослушивания!
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Каталог "Document Records" (ссылки на альбомы)

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