[TR24][OF] Miles Davis - At The Fillmore (Miles Davis 1970: The Bootleg Series Vol. 3) - 2014 (Jazz, Fusion, Jazz-Rock)

1. Introduction
2. Directions
3. The Mask
4. It’s About That Time
5. Bitches Brew
6. The Theme
Fillmore West, April 11, 1970
7. Paraphernalia
8. Footprints

1. Directions
2. The Mask
3. It’s About That Time
4. Bitches Brew
5. The Theme
6. Spanish Key (Encore)
7. The Theme

1. Directions
2. The Mask
3. It’s About That Time
4. I Fall In Love Too Easily
5. Sanctuary
6. Bitches Brew
7. The Theme
Fillmore West, April 11, 1970
8. Miles Runs The Voodoo Down

1. Directions
2. The Mask
3. It’s About That Time
4. I Fall In Love Too Easily
5. Sanctuary
6. Bitches Brew
7. Willie Nelson
8. The Theme

Bass – Dave Holland
Drums – Jack DeJohnette
Electric Piano – Chick Corea (tracks: 1-7, 1-8, 3-8)
Electric Piano [Left Channel] – Chick Corea (tracks: 1-1 to 1-6, 2-1 to 3-7, 4-1 to 4-8)
Organ, Tambourine [Right Channel] – Keith Jarrett (tracks: 1-1 to 1-6, 2-1 to 3-7, 4-1 to 4-8)
Percussion – Airto Moreira (tracks: 1-7, 1-8, 3-8)
Percussion, Flute, Vocals [Vocal] – Airto Moreira (tracks: 1-1 to 1-6, 2-1 to 3-7, 4-1 to 4-8)
Tenor Saxophone [Tenor Sax], Soprano Saxophone [Soprano Sax] – Steve Grossman
Trumpet – Miles Davis

August 1969 to August 1970 was the most productive year of Miles Davis's career: in that short span of time, the trumpeter recorded enough material for his studio double-album Bitches Brew, a studio single album Jack Johnson, three sides of another studio double-album Big Fun, four tracks from the double-album Live-Evil...
... AND, across five nights at Bill Graham's famed Fillmore rock palaces in April and June of 1970, coast-to-coast at both the Fillmore East & West the complete, legendary concerts that will now see the light of day and be made available to fans in their entirety! Miles at The Fillmore Miles Davis 1970: The Bootleg Series Vol. 3.
The searing white heat of these concerts, originally issued in severely edited form to accommodate LP sides, and without any track or song indications (e.g., "Wednesday Miles", "Thursday Miles, etc.") are now made whole. The additional 135 minutes of music in this set include a range spanning Wayne Shorter's Paraphernalia and Footprints from the earlier acoustic repertoire; to an early version of "Miles Runs The Voodoo Down" plus a RARE encore performance of "Spanish Key," compelled by the lightning-fast success of Miles's landmark studio album Bitches Brew.
This unprecedented collection tells a compelling story through its electrifying music, images, and cultural impact! In a rare, in-depth interview for art magazine Zygote II Zygote, which will be reprinted for this set, Miles while listening to the concert playback was "so excited about the music that he wanted every set, every note made available to the public..."
The visionary Bill Graham had booked Miles on a bill with The Grateful Dead at the Fillmore West at the April 1970 shows, and with fellow Columbia artist Laura Nyro in June 1970 at the Fillmore East run. The June shows are the earliest documented live performances of Miles s band when he hired two keyboardists Chick Corea, and Keith Jarrett, who had been added to the band the previous month, along with saxophonist Steve Grossman who had replaced Wayne Shorter in March. The rest of the rhythm section keyboardist Corea, bassist Dave Holland, drummer Jack DeJohnette and percussionist Airto Moreira were in the backbone of this band throughout this explosive period.
https://en.wikipedia.org/wiki/Miles_Davis