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2002, FLAC (image+.cue) lossless

Список форумов » РОК-МУЗЫКА » Зарубежный Rock » Progressive & Art-Rock (lossless)

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Гость

François Bréant / Sons Optiques

Жанр: Avant-Prog/Fusion/Electronic
Год издания диска: 1978/2002
Издатель (лейбл): Musea Records
Номер по каталогу: FGBG 4427 .AR
Страна: France
Аудио кодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 44:48
Источник (релизер): My CD collection
Наличие сканов в содержимом раздачи: да

Треклист:
1. Les journaux annoncent le guerre Generique 3:37
2. Vacances a Concorneau 3:04
3. De retour a Paris 4:09
4. Scenes de foule et de pursuite pendant le Carnaval 3:52
5. Dilemme de Jeanne au restaurant Chinois 4:01
6. Survol del Rio 3:07
7. Et retrouvailles avec Bruno 9:41
8. Baiser au crepuscule et Fin 4:14
Bonus Tracks
9. Les souffleurs de Verre* 3:50
10. L'age d'or a Montlhery* 5:27

Код:

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 22. February 2011, 0:50

Francois Breant / Sons Optiques

Used drive  : ASUS    DRW-2014S1T   Adapter: 0  ID: 0

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No

Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000

Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\EAC 1\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "COMMENT=EAC V1.0 beta 1, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %s

TOC of the extracted CD

     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:35.60 |         0    |    16184
        2  |  3:35.60 |  3:02.08 |     16185    |    29842
        3  |  6:37.68 |  4:07.73 |     29843    |    48440
        4  | 10:45.66 |  3:50.14 |     48441    |    65704
        5  | 14:36.05 |  3:59.33 |     65705    |    83662
        6  | 18:35.38 |  3:05.20 |     83663    |    97557
        7  | 21:40.58 |  9:39.45 |     97558    |   141027
        8  | 31:20.28 |  4:12.48 |    141028    |   159975
        9  | 35:33.01 |  3:48.00 |    159976    |   177075
       10  | 39:21.01 |  5:27.09 |    177076    |   201609

Range status and errors

Selected range

     Filename M:\Francois Breant - Sons Optiques\Francois Breant - Sons Optiques.wav

     Peak level 99.9 %
     Extraction speed 0.8 X
     Range quality 100.0 %
     Test CRC 7B16D609
     Copy CRC 7B16D609
     Copy OK

No errors occurred

AccurateRip summary

Track  1  not present in database
Track  2  not present in database
Track  3  not present in database
Track  4  not present in database
Track  5  not present in database
Track  6  not present in database
Track  7  not present in database
Track  8  not present in database
Track  9  not present in database
Track 10  not present in database

None of the tracks are present in the AccurateRip database

End of status report

==== Log checksum F3B8DE46B3A852248C8BB69A46FAF07EABE957D62E3035944A21B904529B4ED7 ====

Код:

REM DATE 1978
REM DISCID 850A800A
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Francois Breant"
TITLE "Sons Optiques"
FILE "Francois Breant - Sons Optiques.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Les journaux annoncent le guerre Generique"
    PERFORMER "Francois Breant"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Vacances a Concorneau"
    PERFORMER "Francois Breant"
    INDEX 01 03:35:60
  TRACK 03 AUDIO
    TITLE "De retour a Paris"
    PERFORMER "Francois Breant"
    INDEX 01 06:37:68
  TRACK 04 AUDIO
    TITLE "Scenes de foule et de pursuite pendant le Carnaval"
    PERFORMER "Francois Breant"
    INDEX 01 10:45:66
  TRACK 05 AUDIO
    TITLE "Dilemme de Jeanne au restaurant Chinois"
    PERFORMER "Francois Breant"
    INDEX 01 14:36:05
  TRACK 06 AUDIO
    TITLE "Survol del Rio"
    PERFORMER "Francois Breant"
    INDEX 01 18:35:38
  TRACK 07 AUDIO
    TITLE "Et retrouvailles avec Bruno"
    PERFORMER "Francois Breant"
    INDEX 01 21:40:58
  TRACK 08 AUDIO
    TITLE "Baiser au crepuscule et Fin"
    PERFORMER "Francois Breant"
    INDEX 01 31:20:28
  TRACK 09 AUDIO
    TITLE "Les souffleurs de Verre*"
    PERFORMER "Francois Breant"
    INDEX 01 35:33:01
  TRACK 10 AUDIO
    TITLE "L'age d'or a Montlhery* "
    PERFORMER "Francois Breant"
    INDEX 01 39:21:01

François Breant biography
François Bréant is one of those unavoidable characters around the French music industry having been around for soo long that many cannot imagine the scene without him. Indeed in the late 60's he was the keyboardist of CRUCIFERUS that recorded the legendary and dark A Nice Way Of Life (now one of the most sought-after French record) along with future Magma Bernard Paganotti. He was then found playing with the later days ERGO SUM (again with marc Perru) then with the jazz-rock group (not the modern neo band) in 73. He often played with many MAGMA members on different projects but never actually played with the group itself. During the second part of the 70's he became one of the main back up to French singer BERNARD LAVILLIERS whose poignant texts and lyrics as an ex-convict and true leftist rebel figure made him somewhat of a cult figure on the French scene, even when Lavilliers got interested in Brazilian music. In the late 70's, Bréant profited from a break in Lavilliers' career to record two solo albums filled to the brim with KBs and electronica and the unavoidable Zeuhl overtones , the first one (mainly through ALBET MARCOEUR's help) is often close to RIO, while the second is much more electronica-oriented.

Today, Bréant man still leads the band that backs Lavilliers with his friends of ever (Arroyo and Perru have been with Bréant since the Ergo Sum & Cruciferus days) and they certainly are accounting for a lot of the singer's continuing success. Bréant has also signed many music of films theatre plays and ballets and works as an arranger of many French and African stars, the best known being Salif Keita (Mali)

Originally recorded on 1978, it was only available on vinyl untill this 2002 Musea Records release.
The last two tracks are bonus and were recorded in 2001.

Bréant's first solo album came after years of being around the French prog scene, an dit was recorded with his usual partner in crimes, Perru, Arroyo and Lacordaire, but a few added high-profile "guests" like Didier Lockwood and Albert Marcoeur. Both his albums claim links between sound and visuals. Sons Optiques is a difficult to classify oeuvre because it touches soooo plenty of styles of music, that none seem to be a perfect fit on your shelves. Personally I would put this one not too far from Zeuhl and RIO, but then again the jazz rock and symphonic prog labels re both applicable. Both albums were issued on the very collectible EGG label. Bréant will play an array of keyboards, but will favour many times the piano over synths. Bréant's albums might also be reminiscent of JP Goude's or Wideman's records
Recorded in the famous Hérouville Chateau and produced by master producer Laurent Thibault, Breant's Sons Optiques is anything but accessible, although some passages might appear ridiculously easy. But many of the tracks are pushing RIO-like, the opening one, even ogling towards Univers Zero. There is a fairly constant Zeuhl reminder (although not quite as much as in the follow-up VEL), but what gets this album's special feel is the incredible mix of influences, a bit like what you'll find on producer Laurent Thibault's album later that year. The concept throughout the album is a sound description of different stages in a child's life during the WW2 and was set as an original soundtrack for an imaginary film Succès De Foule is an incredible track that comes very close to Isao Tomita's very early works on Snowflakes Are Dancing and the closing Baiser Au Crépuscule is almost Henry Tomita Cow-esque.

Added on are two early 80's tracks that have been reworked in 01, for the release of this album. How much were these two track rewritten is anybody's guess, but they do sound out of context with the rest of the album, even if it's clear it isn't the same recording sessions. Souffleurs De Verre is very much a piano piece while the Montlhéry track has an almost semi-dance groove. Nothing horrible, but not bringing in added value on the original album. Much recommended..

Francois Breant / piano & digital keyboards; vocalizes
Eric Letournex / alto saxophone
Jean-Luis Chautemps / tenor saxophone
Albert Marceur / percussion
Emmanuel Lacordaire / drums & percussion
Guy Delacroix / bass
Pascal Arroyo / bass
Didier Lockwood / violin
Marc Perru / guitar

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